It's here! It's finally here!! aka... "Lookin' at Luckey," the video...

As promised, here it is fuckers:

This brings back wonderful memories of:

 

- How perfectly Sonora embodied "Luckey" for those three days of shooting.  I felt as if I was back with the real "Luckey" the whole time

- Brianne and Sara shining lights past the Thunderbird while Nate rocked it up and down, over and over and over...

- Sonora sitting perfectly still, take after take, for those shots in the living room of me rocking out

- Sara hitting her (not plugged in) keyboard so hard it made her fingers hurt trying to get noise out of it

- Sharing those wonderful bottles of water-wine on the roof

- The lady in the park who repeatedly demonstrated how many times Bill Withers says "I know" in "Ain't No Sunshine"

- Those Fucking Jibs

- The wonderfully weird boat parade on the Willamette River that night

- How much Kelly's Olympian didn't give a fuck

- How smoking way too many cigarettes in a row feels

- How many times someone commented on how I look like Ryan Adams

- How I loved it every time someone commented on how I look like Ryan Adams (one of my favorite artists ever)

- Getting to sit in an actual Thunderbird and how unworthy I was

- Thinking of how many fucking talented people were in that apartment that night

 

I could never thank Kevin Pietila enough for taking my Asperger's, non-visual memories of Luckey and somehow creating this.  It is beyond my comprehension how talented he is.

 

I am so grateful to all the talented people involved:  Kevin Pietila, Sara Morris, Brianne Kathleen, Jon Fickes, Sonora Mindwerl, Nate Ernst, Colby and, of course, me (just kidding, kind of).  They say it takes a village, but we did it with less people, more hard work and more skill.  But most of all, we did it...

"Lookin' at Luckey" the live-action version aka... music videos are awesome

"Lookin' at Luckey" comes alive!

 

(editors note:  this was supposed to go up Tuesday.  Not sure why it didn't.  Fucking computers and internet things...)

 

GREEN BAY PACKERS WEEKLY UPDATE:

 

Unfortunately, I was unable to watch a single second of the Packers game as I was busy doing this:

 

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"What does making funny faces in bars have to do with not watching the Packers?" you may ask.  And you'd be right, if I wasn't being filmed doing it.  Because then it's cool and it's called a music video...


THIS WEEK IN MUSIC:

 

I was shooting a music video for "Lookin' at Luckey" this past weekend which was a fucking blast.  I got to work with some amazing people including the absurdly brilliant writer/director, KEVIN PIETILA, and the beyond beautiful and wonderfully-talented lead actress, SONORA MINDWERL.  And that's not including my other ridiculously awesome friends SARA MORRISBRIANNE KATHLEEN and A VIEW OF EARTH FROM THE MOON'S VERY OWN (JUST LIKE) JON FICKES.  It was truly a blessing to have so much artistic energy in the room(s) when making this fucker.  I had such a fun time despite learning that I am not quite as brilliant an actor as I assumed I once was.  That honor goes to Sonora and Jon Fickes, who were wonderful when "action" was called.  Give me a guitar, mic and a crowd and I'm in my element.  Give me words to say and a camera in my face and... not my element so much.  Although, I used to do a fantastic Jack Black/Tenacious D-type impression given the right audience.  I passed my high school speech class with a Bob Marley song ("Redemption Song") and Jack Black inspired improvised speech/performance.  I was tasked with performing this improvised speech in front of my whole graduating class later on, which I guess means it was pretty good.  So, I have that going for me, which is nice...

 

We did a lot of amazing things during the video but perhaps my favorite was this:

 

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What a beautiful car that I am so undeserving to even sit in...  This Thunderbird was amazing.  It's lucky you can't see below the waist on these shots.  Boners upon boners...

 

Anyways, more updates for you soon... So tired... Who knew video shoots were more draining than recording sessions?

New Jon(athan) Fickes material? Hell yes! aka... Fruit Pies strikes again!

A VIEW OF EARTH FROM THE MOON'S DEBUT SINGLE/VIDEO FOR "DISTANCE RUNNER" AND, OF COURSE, SOME RANDOM THOUGHTS...

 

As promised, here is part II of this weeks blog.  I wrote more than I anticipated about my beloved Green Bay Packers and then got caught up watching silly BRETT FAVRE VIDEOS, then LIVE GENESIS VIDEOS (Phil is such an underrated singer, probably due to his obsession with pleated pants), then SHAKIRA VIDEOS (goddamn, she's so sexy, like, way too fucking sexy), then, at five or six bourbons in, I forgot what I was doing and starting watching "Skins" on Netflix (Cassie still breaks my heart in each episode she's in) before drinking a glass of Kava and finally falling asleep...  Wait, what was I talking about again?  Oh yeah, music.

 

THIS WEEK IN MUSIC:

 

This week revealed the long-awaited debut single, and accompanying video, from Jon(athan) Fickes' new project called A View of Earth from the Moon.  The song, "Distance Runner," gives us a taste of what we can expect from his upcoming album "Closer to a Ghost" which will be released this Friday, 12/1/2017.  And, holy shit, if this is the taste, I can't wait for the fucking meal.

 

In "Distance Runner," Fickes is hurling choruses at us straight down from pop-heaven, delivering cheeky, yet clever (and seemingly throwaway, yet casually brilliant), lines like "your mind is like a blender, you're like a banana" while drenching us in wonderfully warm, distorted,  Oasis-style guitars that really tie the song together.  The crux of the song finally reveals itself when Fickes earnestly, and perhaps desperately, asks "Are you running away?  Or, are you chasing something?"  The juxtaposition of this revelation against the almost willfully-deceiving upbeat nature of the song underscores the sadness Jonathan is barely trying to hide from the world while calling for us to let it out and join him.  He knows what he's doing, and I love every minute of it.

 

There's a joy that comes through the music, despite it's underlying heartache, which can probably be attributed to Jonathan taking over every aspect of the music ("I guess you could call it a solo record because this was the first time I did everything by myself. No live band in the studio, just me racking up countless hours of studio time, haha.”) and forging this into "everything I've always wanted a record to be," according to Fickes.  The established history for singer/songwriters breaking off and bogarting an album is dim, but Jonathan pulls it off beautifully.  This feels like his most developed and complete album to date.  Yes, we reveled in the effortless genius of "Never Love Again (It's Doubtful)" but that turned out to be the carefully curated charcuterie plate before this, our veal parmesan of a meal.  We knew it would be delicious, but we didn't know just how fucking delicious it would be.

 

The video for "Distance Runner" is equally as fun as we follow Fickes on his journey through time and space.  OK, just through space, or, at least, the 180 miles from Seattle to Moses Lake, WA (Jonathan's hometown), as he laments his inability to literally travel back in time (HUEY LEWIS STYLE) and tries to live, if only for a moment, in the past by going back to his childhood home and playing music with his old friends in the living room of his parents' house.  The video assumes the theme of Jonathan trying to run, again literally, from his current state of loneliness and disappointment by temporarily escaping the temporal world and reveling in the comfort of a fondly remembered youth.  Despite this, and after his long journey, he dutifully turns and heads back to reality; almost as if waking from the dream or realizing the idealized version of returning home doesn't exist, or perhaps having already fulfilled his nostalgic needs there's no reason to stay.  Along the way, there are countless beautifully constructed shots as we take this idyllic trip alongside Fickes.  Kudos to the director who instills us with a sense of wonder while we root for, and hope, Jonathan finds what he is looking for, knowing full well it's probably just a momentary distraction from himself that he's after.

 

I was lucky enough to hear the album in total and I won't spoil it, but, Jesus, you're in for a treat (and so are all the rest of you not named "Jesus").  I'll have a full album review here in the next couple weeks, as I want time to fully marinate in the tunes like a soon-to-be delicious piece of chicken.

 

As always, keep a good head and always carry a lightbulb...