But for now I've got that old Crown Vic outside... aka... the car that tried to kill me...

So, something fun came up the other day that really got me thinking. Someone on Instagram reached out and asked about that fabled Crown Vic I’ve mentioned a few times in my songs. He had recently purchased a Crown Vic (perhaps a little influenced by Let’s Go Out Tonight’s reference to that particular automobile) and wanted to know about mine. I hadn’t thought about that car in a number of years but just the mention of it brought back a stream of memories. I wondered if I had any old photos of it since I owned that car in the before-we-had-camera-phones-to-document-our-every-waking-moment times. You know, the old BWHCPTDOEWM times. Good times… We could do dumb shit and not get caught since there was no recorded evidence. Like break into the school and copy the teacher’s answer key for the next test. Or get drunk and go swing on the swings at the elementary school; which might sound weird but is way more fun than you think. Or get drunk and…wait, a lot of these stories seem to start that way. Maybe they should stay in the ol’ brainbox…

But, turns out I did have exactly one photo of “that old Crown Vic.” Here it is:

Ain’t she a beauty. Look at me getting ready to pretend to do something to the car like I know anything about what’s under that hood…

Ain’t she a beauty. Look at me getting ready to pretend to do something to the car like I know anything about what’s under that hood…

Yep, that’s me awkwardly leaning into the car while someone took this, my one and only photo of my Crown Vic. Nowadays we check lighting, our hair, our pose and take like 10 pics just in case. Back then, one and done; who gives a shit. This is what you get for the rest of your life to look at to remember that car. Also, that photo somehow looks like it’s from fucking 1980 or some shit and I’m not exactly sure why. That was taken in the mid 2000’s. Yes, I’m starting to get old… I don’t like it.

Anyways, that was my very first car. I had spent countless hours working at a local factory that made Harley Davidson parts to save up for her. It wasn’t a Harley factory per se, but we made chrome accessories pretty much exclusively for Harley motorcycles. It was a pretty good job. It paid $8/hr and eventually I got to $9/hr., which, for a 15-17 year old was pretty fucking good money. Most of my friends flipped burgers for like $6/hr. and worked until like 10pm each night and had to work most weekends. I got to leave school each day after lunch and got home by 5:30 or 6 and only occasionally would work a Saturday morning but had the rest of the weekend free. My best buddy got me the job and his brother was our boss. The job mostly consisted of making boxes for all the Harley parts, sweeping floors and cleaning the machines and bathrooms. One of the other perks was that they let us work as much as we wanted and paid us cash for any hours over 20, which was the state limit for high school students. At one point, they bought a second building which was a dump and it needed to be completely repainted. So, for two weeks or so all we did was get high and paint everything white until either the paint fumes got you or the weed did. All in all, it was a pretty good deal.

Finally, after a few months (lots of my paychecks went to fast food, beer money for parties, etc.) I had saved up enough to buy my very first piece of shit car, as Adam Sandler once so elegantly put it. My stepdad knew a guy who fixed up old cars and sold ‘em for cheap. He told me he had this Crown Vic if I wanted to come see it. I didn’t know what a Crown Vic was but my first question was “How much?” “$800, cash.” I was sold. We took it for a test drive and that V8 took it over the top for me. When we got back, I pretended to inspect the car so as to seem like I knew anything about it and handed him the $800. I officially owned my first car.

The car was definitely a hit with my friends. Those bench seats could hold 7 people before anyone had to start sitting on laps, which, depending on the group might not be a bad thing (read: if we were lucky enough to have some girls hang out with our dumb asses). I quickly became the late night chauffeur, running trips to and from the Taco Bell in the next town over. And that car was indestructible. I once crashed it through a baseball fence when my buddy and I were racing on a backroad near the high school baseball field after a fresh snow (great idea, I know…). Apart from a couple little scratches on that big ol’ bumper (and a large chunk of fence that had been ripped out of the ground), you couldn’t even tell. But, that was the only downside to that car: it was hard as fuck to drive a rear-wheel drive car with a V8 in the wintertime. Some days, after a big snowfall, I couldn’t even make it up the big hill between my house and the high school so I’d have to drive halfway around town to get in the back way. But, apart from that, she was great. For a while, at least…

After I graduated high school, she started to just feel off. The power wasn’t quite there when I pushed the pedal down. It didn’t sound quite the same when I turned on the engine. Over time the problem got worse. I tapped a buddy who actually did know something about cars to take a look at it (who could afford mechanics? At this time I was living in Madison, WI in the upper half of a house with 3 other dudes so we could maybe make rent. We were all so broke we would take turns going over the landlord’s house to beg for an extension on the rent. At one point, we were literally so poor that we had to start stealing food just to eat. Good times…except I kinda mean this one. It was fun to plan/be part of a heist every couple weeks. Just not that being so poor you can’t afford food part. But, it was a house full of musicians trying to “get famous” while working our part-time jobs for somewhere around minimum wage, what did we expect?). He said there was definitely something wrong with the car but he couldn’t see anything that was causing it. His best guess was that it was something with exhaust but without taking it apart he couldn’t know for sure. He said he would call around to some junk yards and see if they had some parts that would work. He was gonna help me replace what he thought might be causing the issue if he found something. He never got the chance…

A few weeks later, I was heading back home for a few days. The town I grew up in was a little under an hour from where I lived in Madison. So, like most kids in the late teens, I would head back occasionally to do laundry, grab some food to take back, etc. I remember It was a very cold fall day. The car seemed particularly angry that day. It just did not want to get going and was sounding awful. I was gonna ask my mom to borrow some money to fix it when I saw her. I didn’t get the chance…

About halfway home, I started to smell something burning. I couldn’t tell if it was the car or one of the farms around there burning a field or the fumes from one of the factories in the area but it smelling really bad. It also started making me really nervous. Here I am, going 70mph down the highway and something just doesn’t feel right. I don’t like this at all. As I was approaching a bridge/overpass, I hear a loud, metallic pop and then something that sounded like a sound effect from Terminator, like metal being violently twisted and torn apart. Then…the explosion.

Yup, that’s right. As I was bombing down the highway at 70mph and approaching an overpass, my car exploded. Fire shot out from under the car and up from under the hood, which was blown open and was now completely blocking my windshield and vision. Now, I couldn’t even see how I was going to die when I plunged off that bridge into the oncoming traffic on the highway below; which is was what I was certain was going to happen. You see, all my life I’ve had recurring nightmares about driving my car off something and plunging to my death. Sometimes it was off a cliff. Sometimes it was a bridge that had collapsed or a mudslide plunging me into the ocean below. But I have always dreamt I will die falling to my death behind the steering wheel of a car.

I closed my eyes for a moment and took a deep breath. I came to peace with it for a split second. Then, I thought “fuck this. Just keep the car going straight (or what I thought was straight since the explosion kind of redirected the car’s path).” I looked out the side window and it seemed like I was still mostly parallel to the median, so that was good. Soon after, I hit a bump, which I thought, well, hoped, was the threshold of the bridge. The bump made the hood flop down enough for me to see out the windshield again. I was, indeed, on the bridge and I went for the brakes. The pedal was so soft so I jammed it to the floor. I guided the car to the side of the bridge/highway and eventually got it to slow down and stop. I immediately jumped out as the car filled up with smoke. Outside, I could still see flames coming from underneath the car and from under the hood. I popped the hood back open and flames shot upwards. I don’t know why I did that but it seemed like a good idea at the time. I turned and ran a little ways up the road convinced this car would explode like I was in a fucking Bad Boys movie. As I ran up the side of the highway, I saw the many chunks of exhaust and transmission that used to be, you know, an integral part of my car. I made the mistake of trying to move a couple pieces between cars that passed. Even with my winter gloves on, I burned my hand. Duh, explosion and fire plus metal equals very hot.

Finally, the fire burned itself out and I headed back towards the car. It was still filled with smoke so I rolled the windows down to let that out (remember non-electric windows?). I was hoping I could get back in the car at some point since it was like 30 degrees outside. I called my mom who found a tow truck that would haul it to the nearest junkyard, which would cost me almost $175 since I was sort of in the middle of nowhere and the nearest junkyard was like 40 miles away. Also, he couldn’t be there for another hour or two. Great… I’ll just stand out in the cold for a couple hours while I wait. My mom said she would come get me and I was relieved. In a half hour or so I would be back in a warm car. I can do a half hour after nearly exploding to death. About twenty minutes passed and my adrenaline was starting to where off, which meant I was not really starting to feel the cold. I wasn’t prepared to be outside for an extended period of time since, you know, I didn’t expect my car to explode on the highway. I just had on a hoodie and a light jacket that I found on the back seat. A police officer started coming towards me and I started to get really nervous. Is it illegal to explode a car on a public highway? Was I gonna get a ticket for the chunks of transmission and exhaust scattered over the last quarter mile? Or maybe, just maybe, will he let me sit in his nice warm car until my ride gets here?

Well, I was right to be nervous. “What the hell is going on up here?” he barked.

“My car just exploded,” I said very matter-of-factly, with a hint of that youthful angst you get when you realize the car you couldn’t even afford to fix is now dead and now you can’t even get to the job to earn the money you need to buy the new car so basically you’re just fucked. You know, that angst. Apparently, I was either too matter-of-fact or too angsty, or both. He unclipped the latch on his gun holster and put his hand on his gun. His demeanor took a hard turn.

“Hands out of your pockets.” Shaking, I pulled my hands out of the pockets of my hoodie. “And pull that hood down. Why are you so nervous? What are you trying to hide?”

“I’m just cold.”

“Is that so? Turn around and put your hands on the car. You have any weapons I should know about?”

“No, sir.”

He patted me down and pulled out the only thing left in my pockets, my wallet. “Alright, is your license in this wallet?”

“Yes.”

“Don’t you go nowhere.” He took my wallet and headed back to his car. After a few minutes, he came back out and handed me back my license and wallet. I shoved them in my pants pocket. “Keep those hands out of those pockets.”

“Sorry.”

“You got someone coming to get this?”

“Yeah, my mom called a tow truck.”

“Good. In the meantime, you can start getting this shit off the road.”

“Yes, sir.”

And that was that. He turned around, re-clipped his gun holster closed, got in the car and drove off. A short while later, my mom picked me up. I took one last look at that old Crown Vic as we drove away. It was a sad end to my first car. She just sat there dead on the side of the road, her entrails strewn about on the freeway. I assume the tow truck showed up and took her away at some point but I never saw her again.

I hadn’t thought much about that car until someone brought it up. But it was fun to go back in time for a bit and write this. Oh, and for anyone wondering about why the car exploded, apparently chunks of the exhaust on the inside, hence why my buddy couldn’t see anything on the outside, were breaking off and lodging themselves into the catalytic converter and welding themselves together, causing it to overheat and eventually building up so much heat and pressure that it exploded and took out the transmission with it. At least that was the story I was told. Again, I don’t know shit about cars but that sounded right to me.

All this talk of cars got me thinking about the songs in which I talked about the old Crown Vic. In a couple tunes, I name check her directly.

In Let’s Go Out Tonight:

Maybe we’ll find it again, find it again someday

But for now I’ve got that old Crown Vic outside and I want to take you away

In Dance with Me Darlin’, I not only talk about the Vic but also the very highway she died on:

Every day after work we’d kiss in the back of my old Crown Vic

We would drive around town looking for some kicks

There’s still some lights out on the old highway tonight

Just some folks driving home, up from the city

I will take 151 North to get back home

In MIdwest Winters, the line:

As you park the car, you can see that morning sun

But it will already be gone by the time your work is done

is about working at that not-Harley Harley parts factory and driving there in the wee hours of a winter’s morning in my Crown Vic.

In Drive All Night, I’m writing about this car but it sounded a little better when I said “Buick” rather than “Crown Vic” so I changed it to that, but I’m really talking about this car in that song, as well. I also again reference that not-Harley Harley parts factory which actually closed down not longer after I left due to the recession.

The hard times have finally come around here

They’re laying off down at the Factory

Last week it was Terry, this week it’s me

But I got this old Buick and a little bit of money

So, there you have it. My old Crown Vic and the songs she inspired. You asked and I answered. If there’s anything you ever want to know about ol’ Bradley Wik or my music, just ask. I’m pretty much a damn open book. Comment below if you have something you’d like to know or I do occasionally check my Instagram (@bradleywikmusic) so feel free to reach out on there as well. Until next time…keep a good head and always carry a light bulb… Also, here’s a playlist with the songs about my old Crown Vic.

Bradley listens to his own music sometimes...sometimes he even likes it... aka... the more ellipses the better...

I hate people who are inconsistent with their blogs…wait, fuck… I know I keep saying I will get better at this and then not doing anything to be a little more consistent but, you know, everything. Anyways, I’m tired of talking about what isn’t working in my life (mostly everything), so today I’m bringing back a classic: the random music playlist. Whenever times are tough, music is always there to be a comfort to me. Sometimes it’s even my own music that I need in a particular moment; which might sound weird, I know, and very egotistic I suppose, but who could know how to reach me better than me? OK, usually anyone else (thanks Asperger’s!) but every once in a while it’s strangely comforting to hear my former self tell my current self “hey, you already went through this and here’s what you need right now.”

So, today I am going to go through a few songs of my own that have helped me through some tough moments, especially in the past year. “A blog about himself? So arrogant!” you might say. But, hey, it’s my blog and I can write about whatever I want to, and today I want to write about myself. And I don’t know if you know this, but occasionally I write a pretty fucking good tune. On to the songs!

Here’s the Spotify playlist if you want to listen while you read. I can’t do those two things at once (if music is on, that’s the only thing I can focus on) but I’m told other people can, so here you go. If you don’t do Spotify, I’ll also link the YouTube versions below.

OK, so I struggled to put these into any specific order (read: I was too lazy to put these into any specific order), so I figured I would just go through them chronologically and give you a little back story as to why I included them on this list. It’s more or less a random thought experiment where you get to understand my brain a little better and where I can talk about my music, which I have such a love/hate relationship with; pretty much like any other artist. If Thom Yorke (Radiohead) gets to be disappointed with his output then I damn sure better be sometimes. But sometimes I’m not disappointed and I enjoy combing through the back catalog.


It’s funny, people always ask if my songs or albums are like children, like I’m supposed to love them all equally. That’s not true at all. I definitely have favorites and definitely have some that are the runts of the litter. I still love them but they likely have some issues that need addressing. So, without further ado, here’s the songs:


1) Back to Brooklyn

Why this one is on the list: This was the first song I ever played with a rock band. I was in New York City and I was starting to get bored of playing folk music. I didn’t really have the songs to start a band as most of my stuff at the time was super Dylan-y and were these long, rambly, imagery driven type stuff with loads of harmonica solos. But I knew I wanted to do something more Rock ‘n’ Roll, so I auditioned to be the singer for this cover band. We did stuff from the Black Keys, Cold War Kids, Wolfmother and a few other bands that were pretty hot around that time. I can’t say that I was particularly great at being a covers singer. One thing I’ve learned over the years is that I’m good at doing my thing, but that’s pretty much it. I’m not one of those people who can hear a song and then sing it perfectly. I tend to have to work hard for everything I do musically, and I’m OK with that.

But one day at rehearsal, the leader of the group, the guitar player, was running a bit late. So, we were just hanging around and they asked if I had any songs we could play in the interim. I searched my brain for a folk song that might work and landed on Back to Brooklyn. Normally, I did it in 6/8 time, all folky and shit, but I figured if I just played it straight and gave it a little oomph, it might actually work. I show the bass player the simple chords and we launched into it. I got such a rush hearing the band behind me and I knew that this was my future. I still enjoy the folky stuff, but that moment was like the first time I had sex, in that it was something I had never experienced before but knew I needed to make a regular occurrence thereafter. And my Rock ‘n’ Roll path had begun.

2) This Old House

Why this one is on the list: This song has affected more people than any other song I’ve written. I’ve had quite a few people reach out to me about this song over the years with stories about how this song helped them through a divorce, breakup, the death of a loved one, etc. I feel so humbled and honored to be able to have helped in some small way in other people’s lives. I’ve always said my goal in making music is to give back, to at least one person, what music has given me. I’ve accomplished that many times over with just this song and I’m so grateful that I could do my part in continuing music’s pay-it-forward type deal.

In addition, it’s also the first song my wife and I ever sang together on. I had always envisioned this song as a duet but never really had a singing partner. So, for live shows at the time, my drummer would sing some of the harmonies but it never quite sounded the way it should. When we got around to recording, I had just met this girl who was singing with my guitar player’s other band. He said she was really good at harmonies and I thought she was pretty so I asked her if she was free to come out to the studio on one of our scheduled days and she was. I remember I had forgotten to print out the lyrics for her so I was writing them by hand as she was listening to the song for the first time. I remember her commenting on how each line was a different length and had a slightly different melody. I never really thought too much about that kind of stuff but it definitely doesn’t make it easy for someone who doesn’t know the song to sing along with it. Long story short, she was great and now we’re married.

3) She Will Never Return to Me

Why this one is on the list: This the last vestige of my folk singing days. With verses like:

With her eyes like sailor’s stars through a night so sad and still

She paints a silver ghost on a broken window sill

And on from the summer she finds her saintly will

But she will never return to me

and

She whispers and fades like a man she once knew

And dances with the poets with bells in their shoes

She hits all the notes when she hums the tunes

But she will never return to me

I love it. Makes me yearn for a simpler time in my life when all that mattered was outdoing the venerable Jon Fickes with my latest folk song, which I’d debut at some open mic at 1:30am on a Tuesday; and he’d try to do the same to me. Needless to say, he usually won…

The other thing I love about listening to this song is the lead guitar work and the solos. It’s otherworldly at times. This song wasn’t really on the radar for this record but we had some extra time in the studio so we figured we’d give it a shot. I think we had played it at maybe two shows before the recording session so it was still pretty raw. Our guitar player, Brian, had mostly just noodled around during the verses and solos prior to this so he didn’t have any of his parts down; since, again, we weren’t planning on recording it. We didn’t use anything he recorded that day but he took the raw mix home and spent hours writing and recording his part in his basement studio. At the next session, he brought in the fruits of his labor and we all heard it for the first time. It was magnificent. I loved it. The guitar sounds were nothing like what was on the rest of the album but it fit this song so perfectly. It was such a unique moment as most of the other parts were meticulously hammered out at rehearsals and shows. But this, this was like hearing my song come to life for the first time. To this day, it’s still my favorite of all his guitar parts, and he had some dandies so that’s saying something.

4) Just Like Jon Fickes

Why this one is on the list: Remember how songs are supposed to be like kids and you’re supposed to love them all equally? Well, this is my favorite child. I have a couple fun memories from this one.

First, this was originally written to essentially what would become the music for Some Girls (Still Love Rock N’ Roll), if you can imagine that. But at the time, the band was really struggling with the more upbeat, harder-edged type rock songs so I rewrote the song into the new key (C) and really played around with the tempo and dynamics. From the story to the epicness of the recording, this is one that really worked out a little better in real life than what I had in my head, which is really fucking rare. Usually, songs never come close to what you hear in your head but this one actually ended up exceeding it. I remember being so anxious about getting this song right that the morning of the mixing session I got so drunk that I passed out and missed most of it. I’ll never forget sauntering in bleary-eyed and hearing it for the first time. I loved it. I didn’t have one note. “Wouldn’t change a thing,” I said, “it’s perfect.”

Second, I’ll always remember how much people hated the title. Even the boys in the band who had recorded with Jon (that’s him on Back to Brooklyn and our first EP) thought it was a stupid name. “What does it mean? No one knows who Jon Fickes is,” I kept hearing. But, every time I brought up the title, people would ask me about it. “Who is Jon Fickes?” they would say, usually pronouncing his name “ficus” as in “ficus tree.” Anything that got people talking. Plus, Jon is one of my biggest influences in music. Like I mentioned before, we’ve always had a friendly competition between us and he’s inspired me to work harder and push myself to write better songs over the years. To be able to honor him with a song title (plus a cover of his tune The Dark Lovely on the same album) is the least I can do for someone so influential on my music career.

Third, it’s just a really fucking good song, if I may say so myself, and I may, as this is my fucking blog. Many times when I tell people it’s over eight minutes long, they are surprised, which is a good thing as a songwriter. If you can make an eight minutes song feel like a five minute song, you’re doing something right. I definitely did something right with this one.

5) Lookin’ at Luckey

Why this one is on the list: One of the things I’ve really missed since moving across the country is my friends back in the Portland, OR area. As a whole, I fucking hated Portland and the people there. But, there were some special people that came into my life while I lived there. One of them was the man who wrote and directed my two latest music videos, Kevin Pietila. His wife and my soon-to-be wife were good friends, so needless to say, eventually we were bound to hang out. We hit it off almost instantly and within weeks we were discussing making a music video together. I think my favorite part of the process was those initial meetings when we would head over to a local bourbon bar and drink and share stories about our lives that were relevant to the song/video. One drink would turn into four and we would talk for hours.

As I was doing my blog series a few months back called “Music videos are fun,” I was kind of reliving those days and the shoots for the videos. If I could make music videos all day, every day (and that’s how those shoots can go sometimes, all day. The Let’s Go Out Tonight overnight shoots were pretty brutal), I would, as long as Kevin was the director. And, of course, Jon Fickes made his obligatory appearance in these videos as well, which made them even more fun. If you want to read more about the Luckey video shoot, you can HERE. If you haven’t seen the video yet, here it is:

As far as the song, this might be my second favorite song that I’ve written. It was the first song written for this album and kind of set the tone for the entire record. The stories about struggles with sex, drugs, drinking, depression and guilt sort of weave their way throughout the entire record. That was essentially my life at the time and I feel this song summed it up better than the others. I remember the first time I played this song for anyone besides myself. My bandmate was taken aback as he hadn’t heard something like this from me before, one person cried and before the night was over (well, in the early morning hours) I found myself in bed with a beautiful girl I had just met. Life is pretty strange sometimes but obviously that song had told a powerful story.

6) Let’s Go Out Tonight

Why this one is on the list: This song brought me joy a couple times this past year. First off, it was chosen for the soundtrack of the video game NASCAR Heat 5. Not only did that bring in some much needed income, but as a lifelong NASCAR fan it was a really cool achievement. I grew up playing NASCAR video games so it was pretty damn cool to be a part of one of those games. I can’t tell you how many hours I spent tweaking setups or running practice laps in NASCAR Racing 1999. That game was the most realistic racing sim I had ever seen up to that point and I loved it. I never knew I wanted to spend my evenings finding the perfect camber setting or front bias ratio but the game proved otherwise. I remember when the first NASCAR Heat game came out. My buddy and I would spend hours racing while we listened to Jimi Hendrix or Damn Yankees or REO Speedwagon. Not sure why those are the three that immediately come to mind, but so be it. I know a lot of people think NASCAR is just rednecks driving cars really fast and turning left, but come watch a race with me and we can talk about all the strategy, science, skill and luck that goes into a race. I feel like NASCAR is as misunderstood as baseball. A lot of people think it’s a boring sport where not much happens until you learn about all that goes into it and how ridiculously difficult it is.

Secondly, my new band is a three piece so I had to start learning/playing the guitar leads for my songs. It’s something I haven’t done in years. The last time I played lead guitar was when I was 19 years old. This, for some reason, was the first song I started with. It’s a sort of weird feeling to be “learning” my own song but that’s what I was doing. I was a little skeptical of the practicality of being a trio but this song put those fears to rest and now I enjoy playing those leads/solos. It brings new life to songs I’ve been playing for years. Also, if you haven’t seen the video and want to see me as a zombie, check it out:

7) No Truth in the Summer

Why this one is on the list: I don’t think anything was more apropos last year than the line “We don’t know where we’re gonna be when the summer ends.” Sure, the song is about a relationship that’s at that moment when you have to make a decision on whether you want to get serious or just call it a day and move on, but still. Like another song on this list, this was also a last second addition to an album. We had 10 songs ready for In My Youth, I’m Getting Old… but it just felt like the narrative wasn’t quite wrapped with the rest of the songs and we needed something to help tie the room together. We had played around with this song in rehearsals but that was about it. After we got the take that ended up on the album (we recorded this album live to tape), I remember our engineer saying he felt this was one of his two favorite songs on the record. After some time, it’s really grown on me and has become one of my favorite to play live.

8) We Are Not Alone

Why this one is on the list: Despite spending the entire quarantine with another person, I still constantly felt so alone. Though I knew so many people who were in the same boat as I was, it didn’t help the with the feeling of isolation I had. Again, the song is about a different time and type of loneliness, but it seemed to help during the darker times of the pandemic when it felt like we would never see the other side of it. But, now that I’ve already gotten my first shot of the vaccine and my wife gets her first (and only, so jealous she’s getting that J&J as I’m terrified of needles…) shot this week, it’s feels as if there’s finally some hope that we’re through the worst of this. I can’t wait to get back in front of people again and feel like I don’t have to be worried they might kill me or I might kill them just by talking with them. Anyway, this one was a good reminder that even when we feel so fucking alone, there’s always someone out there who knows exactly how we feel and we’re not really alone in the world. I needed a reminder of that. Also, I needed to remember that I love to make non-Rock ‘n’ Roll music too. I still remember when I first bought my synth and just kept staring at it wondering how the hell to make it work. Now, I love playing around with its seemingly infinite possibilities. Most of the time I love the simplicity of guitars, drums and bass, but sometimes I love dense soundscapes full of alternating melodies and counter melodies and noise. I’m glad I get to do both.

So, there you have it. Those are the songs that I have been coming back to over the past year. I hope you enjoyed this little peak behind the curtain of my brain and thoughts. And if not, you’re probably not reading this right now because you were like “fuck this, this shit is boring as fuck. I’m out.” So if you’re reading this, thanks for reading and I’ll talk with you again soon. Well, write to you. It’s not really a dialogue, though if you want to get involved leave a comment below or via Instagram (link at bottom of page or search @bradleywikmusic) as that’s the social media I actually check from time to time. Until next time…

(dictated but not read)

Music videos are fun... aka... memories from Let's Go Out Tonight...

A week from Christmas and I have a riddle for you: what does a Thriller jacket, an empty bottle of wine, a flask and a toy gun have in common?

OK, fine. That’s not really some fancy riddle. But, the answer is: memories. Specifically, memories from the making of my music videos.

I love making music videos. I can’t wait to do more, though, without shows going, it’s a little tough to save up the money to make them. Making a music video is probably my favorite part of the whole creative process when putting out an album. Long since finished are all the tough decisions about parts and tempos and song selection and mixes and track sequencing and album art and publicity companies and t-shirt logos, etc. It’s finally time to do something creative that I don’t have to think about 24 hours a day. And yes, it is 24 hours. I dream and have fucking nightmares about making albums. It’s so stressful. It doesn’t have to be. I know plenty of people who love recording. Some even prefer it to playing live. I don’t understand them, but I do appreciate where they are coming from. No, I make it stressful upon myself. I do that with a lot of things, but especially with recording albums. It’s the legacy I will leave when I’m gone. Yes, people will have memories of me, but my music is the best of me. Yes, it’s still flawed just like I’m flawed, but it’s the purest form of me as a human being. Those songs contain everything I have. So many people compare them to children and I used to think it was dumb. But, I get it now. You do birth them, shape them in your image, give them everything you can, then release them into the world to do whatever it is they are going to do and you have little control over when they do good, bad or whatever. Songs are also meant to be commoditized and generate income for me, so I guess that’s where the analogy falls off. But, the first part works.

But, making music videos is amazing. Someone else is in charge. I just have to show up and do my part; which also doesn’t require learning lines, which I would be terrible at, I think. I just have to show up, look good and sing my own songs, which I presumably know the lines to already. Someone else tells me what to wear, where to stand, where to look, what to do with my hands; you know, everything. So, in honor of that, I want to go chronologically backwards and talk about my favorite memories from the making of each video. This week I’ll do my latest video which was for Let’s Go Out Tonight.

So, the genius behind the video for Let’s Go Out Tonight was my friend and super-talented director Kevin Pietila. If you haven’t seen the video yet:

A) What the fuck?!

B) You’re in for a treat

I think I wrote about my favorite memories from this video shoot once but I couldn’t find it relatively quickly so I gave up and here’s my new list:

  • Night shoots. Turns out if you want to make a movie that takes place at night, you have to shoot at night. That meant showing up to set (set being an Airbnb in SW Washington state for the house/interior shots, the home of a very generous friend of Kevin’s for the graveyard shots, a movie theater and the music venue Holocene in Portland, OR for the performance shots) around 5:30 or 6pm to start setting up/getting into makeup. Starting to shoot around 8pm and wrapping around 4:30 or 5am. Getting makeup taken off/packing up and leaving around 6:30 or 7am. And that was three nights in a row. It was so much fun though. Especially when you get late into the next morning and people start getting loopy. Things get really funny really easily. I think I did my shitty version of the Thriller dance in the abandoned barn like 25 times in a row. It was like 3am and I’m pretty sure Kevin just needed a laugh to keep his energy going. I’ve never been more exhausted at 7am before this shoot and the only thing that would keep me energized for the drive home was blasting Kanye West’s song Waves (from Life of Pablo) and singing along at full throat. I probably listened to that song 100 times in those three days.

  • Digging my own grave. Turns out the soil in the Pacific Northwest fucking sucks to dig in. It may be great for growing wine grapes but that clay-filled, rocky bullshit is a royal pain in the ass to try and dig a 4’L x3’D x 3W’ hole into. I just remember how bad the space between my thumb and forefinger hurt afterwards. I’m not joking when I say I’m pretty sure it took Kevin and I about 5-6 hours to do. But, we needed it for the the shot and Kevin’s supremely generous and amazing friend allowed us to dig it on his property and then even helped us with the shoot later that week. I’m sure he had better things to do than to run lights or the smoke machine from 9pm-2am, but I’m extremely grateful to him. I swear I’ve never tasted a better Coors than the one I had after those 5-6 hours of picking and digging up that clay.

  • Being stuck in my own grave. Of course, once I dropped down into the grave, crouched into position, the plastic was draped over the top of the grave, the dirt piled on top of that…that’s the exact moment when the generator died. No generator means no lights, no smoke, no nothing. So, I was stuck in there. It was only gonna be few minutes to get it back online so I figured it was a waste to re-dig me back out, rip out the plastic roof, etc. only for me to go right back in. So, we decided I would just hang for a few until we were back online. Well, a few minutes turned into a few more and a few more and it was starting to get a little harder to breathe since I was mostly sealed up in there. My foot fell asleep and my leg cramped up. But, it was only gonna be a few more minutes. I could wait it out. Plus, the asleep foot would probably make my zombie walk more realistic and my cramped legs would make my grave rise more haggard and believable, which maybe it did. Or, I was just trying to convince myself that I was actually any good at this acting thing. Who knows? Anyways, after like 15 or so minutes (or 2 hours; at least that’s how it felt to me) everything kicked back on and we got the shot. Worth it.

  • Finally, being a zombie. When Kevin came to me and said he had this crazy idea for a “zombie love story,” I asked him, “do I get to wear a Thriller jacket?” He said “yes” and I was in. Then, I got nervous as I’m definitely not an actor and this concept would require I play a believable zombie. In my other two videos, I mainly just had to look good and sing my songs, but with this one I actually had to kind of do some acting. Turns out, it was really fun. Can’t say I found a new calling in life but it was quite enjoyable. It’s funny actually, I was talking with another musician not too long ago and he too said acting in his music video was his favorite thing to do. Weird how we all want to do what others are doing… Another fun memory about being a zombie was injuring my hand while practicing being a zombie and rehearsing those Thriller moves for the video. An injury as a good memory? Why yes. I remember it like it was yesterday. I was in my shitty, little apartment in Portland, OR. It was a tiny two-bedroom that was basically a one bedroom apartment where they chopped the living room in half to make another tiny bedroom. So, there wasn’t a lot of space in either of the bedrooms. I was in the “office” bedroom, the smaller of the two, and I had the Thriller video up on the computer while I tried to emulate a few moves. I finally picked two of the easiest ones, as you can see in the video around the 1:50-2:20 mark, and started practicing. I got really into trying to do the dance moves like a zombie might and didn’t realize I was a little too close to my printer and slammed my hand into its sharp, plastic corner. I tore off a pretty sizeable chunk of skin. In the video, if you look really close, you can very briefly see a band-aid on my left hand. Coming out of the grave and getting dirt in a very fresh and very much still wide open wound wasn’t fun, but again, worth it... My final good memory about being a zombie was the two hours into and the hour spent getting out of makeup. Being an Aspie (Asperger’s/”Aspie” refers to someone on the autism spectrum that is generally still high-functioning), the thought of someone touching my face and head for an extended period of time was not something I was looking forward to (haircuts are a nightmare for me. Luckily, because of Covid, my wife now has that responsibility which makes it less stressful on me), but the person who did it made it such a great experience. It’s always fun for me to watch people who are passionate about what they do. The only part that was rough was the last day when we were shooting the on-stage performance scenes. Normally, to remove the makeup, it was a slow, steady process of using makeup remover wipes and some alcohol for the tough spots since the makeup was alcohol-based. We used alcohol-based so it wouldn’t need to constantly be retouched as I sweated or crawled through the dirt. But, on that day, we were in kind of a time crunch, in part because I had locked my self out of my apartment that morning and in part because shoots are just always on the edge time-wise, so we had to move even faster. We started with the makeup on for the zombie performance shots then had to get it off as quickly as possible. But, since it was alcohol-based makeup, “as quickly as possible” meant we had to basically drench my face in rubbing alcohol and scrub. Needless to say, my face was on fire when I went back up for the “normal” Bradley shots. But, again, totally worth it.

So, the jacket and fake gun are from Let’s Go Out Tonight (the venerable Jon Fickes had the distinct pleasure of ending this zombie’s life). I hope you maybe learned something fun about the behind the scenes. If you have any questions about the video you’d like my thoughts on, feel free to leave a comment. Next week we’ll talk about Lookin’ at Luckey and a funny story about a wine bottle. I’ll see you then.

Here’s to hoping I never have to dig a grave in the Pacific Northwest ever again…

Here’s to hoping I never have to dig a grave in the Pacific Northwest ever again…